Shipiao Yixing Teapot: Shape, Origin and 17 Real Examples

Jingzhou Shipiao Yixing teapot in Chijin Zini clay, 200 ml

The Shipiao (石瓢) is the Yixing teapot built on a triangle. Seen from the side, the body is narrow at the top and wide at the bottom, the weight sits low, and the spout, handle and knob all repeat that same leaning, triangular line.

This guide explains what defines the shape, where it comes from, and how the main variants differ. Every photo below shows an actual Shipiao from our catalogue — 17 pots in total, listed in full at the end.

Jingzhou Shipiao Yixing teapot in Chijin Zini clay, 200 ml, side view showing the triangular body
No. 163 — Jingzhou Shipiao, Chijin Zini clay, 200 ml, by Fan Weibing. The low, wide body and short straight spout are the Shipiao signature.

What defines the shape

The body is an inverted triangle. Narrow at the shoulder, broad at the base, with rounded lines all around and the centre of gravity dropped low. The whole pot should read as one crisp, stable triangular frame.

The lid is flat and pressed in. A Shipiao lid sits flat, almost level with the rim, rather than rising into a dome.

The knob is a bridge. Instead of a ball or a button, the knob is a small arch — a bridge you can pass a finger under.

Top view of a flat-lid Shipiao teapot in hand showing the bridge-shaped knob
No. 410 from above: the bridge knob and the flat lid.

The spout is short, straight and strong, and is usually joined to the body with a concealed join, so the transition looks continuous. The handle leans in an inverted-triangle direction that balances the spout and the body.

The base stands on three nail feet — three small, evenly spaced feet like a tripod. Turn the pot over and this is the first thing to check.

Base of a Jiangponi clay Shipiao teapot showing three nail feet and a maker's seal
The underside of No. 376 (flat-lid Shipiao, Jiangponi clay, 110 ml): three nail feet set in a triangle, with the maker's seal in the centre.
Base of a Tianqingni clay Ziye Shipiao showing three feet and a seal
No. 434 — Ziye Shipiao in Tianqingni clay, 150 ml. The same three-foot base in a completely different clay.

Where it comes from

The Shipiao as we know it is dated to the Jiaqing and Daoguang reigns of the Qing dynasty, and is attributed to Chen Mansheng and Yang Pengnian. Gu Jingzhou and Qu Ziye are named as representative makers of the shape, and two of its main variants carry their names.

The variants you will meet

Sources group Shipiao into a few mainstream variants: the Mansheng Shipiao, the slimmer Ziye Shipiao, the fuller Jingzhou Shipiao and the lower Hantang Shipiao. A tall Shipiao (gao shipiao) is another common name. In our own records the Jingzhou form is the most common (5 pots), followed by tall (4) and Ziye (3). A few pots carry the workshop's own names — flat-lid, Gongchun, three-foot and Yongle Shipiao — and we list them exactly as recorded.

Tall Shipiao Yixing teapot in Golden Duanni clay, wood-fired, 200 ml
No. 181 — tall Shipiao, Golden Duanni clay, wood-fired, 200 ml, by Wu Jianqiang. The tall version keeps the triangle but stretches the body upward.
Flat-lid Shipiao Yixing teapot in Aged Duanni clay, 130 ml
No. 410 — flat-lid Shipiao, Aged Duanni clay, 130 ml, by Ning Gang. A much lower, wider silhouette.

What the numbers in our records say

Reference sources describe Shipiao capacities as most often around 150–300 ml, with the full historical range running from about 60 ml to over a litre. Our 17 Shipiao run from 90 ml to 320 ml, with a median of 150 ml — ten of the seventeen hold 150 ml or less. In other words, the Shipiao that are made today for gongfu tea tend to sit at the small end of the traditional range.

Those 17 pots use 12 different clays. Sources name original-ore Dicaoqing, zini and duanni as the usual Shipiao clays, and our records match that pattern: Golden Duanni (4 pots) and Aged Duanni (3) are the most frequent, alongside Dicaoqing, Tianqingni, Aged Zini, Chijin Zini and others.

Small 90 ml Ziye Shipiao in Red Jiangponi clay held in the palm
No. 237 — 90 ml Ziye Shipiao in Red Jiangponi clay. At this size the pot sits entirely in the palm.
200 ml Jingzhou Shipiao in Hei Duntou clay held in hand
No. 135 — 200 ml Jingzhou Shipiao in Hei Duntou clay, by Fan Weibing. Same variant, more than twice the volume.

How to check a Shipiao, in hand or from photos

Read the triangle first. Look at the pot side-on at eye level. The body, spout, handle and knob should share one proportion. If the spout looks borrowed from another pot or the handle is round and upright, the triangle breaks.

Turn it over. The three feet should be evenly spaced and the pot should stand without rocking. If a listing has no photo of the base, ask for one.

Look inside. The filter behind the spout is worth a photo of its own.

Inside a Shipiao Yixing teapot showing a multi-hole filter behind the spout
Inside No. 376 (flat-lid Shipiao, Jiangponi clay, 110 ml): a multi-hole filter behind the spout.

Watch it pour. A short straight spout should give a direct, controlled stream that starts and stops cleanly.

Ziye Shipiao Yixing teapot in Aged Duanni clay pouring tea into a cup
No. 413 — Ziye Shipiao, Aged Duanni clay, 150 ml, by Ning Gang, pouring.

A shape that invites carving

The wide, sloping lower body of a Shipiao gives an unusually generous surface, which is why so many carved pots use this shape. Seven of our seventeen are carved: landscapes, bamboo and calligraphy all appear.

Hand-carved Ziye Shipiao in Tianqingni clay with a landscape scene
No. 434 — Ziye Shipiao, Tianqingni clay, 150 ml, hand-carved with a landscape.
Tall Shipiao in Golden Duanni clay carved with Chinese calligraphy
No. 372 — tall Shipiao, Golden Duanni clay, 120 ml, carved with calligraphy.
Wood-fired Jingzhou Shipiao in Golden Duanni clay carved with birds and bamboo, 320 ml
No. 183 — Jingzhou Shipiao, Golden Duanni clay, wood-fired and carved with birds and bamboo, 320 ml, by Wu Jianqiang. The largest Shipiao in our records.

All 17 Shipiao in our records

Every pot below has a full photo set on its product page. Click a number to see the full photo set, price and availability.

No. Variant (as recorded) Clay Capacity Craft Maker
163 Jingzhou Chijin Zini 200 ml Fully handmade Fan Weibing
124 Jingzhou Luni 180 ml Fully handmade Wu Jianqiang
135 Jingzhou Hei Duntou 200 ml Fully handmade Fan Weibing
183 Jingzhou Golden Duanni 320 ml Wood-fired with hand carving Wu Jianqiang
358 Jingzhou Golden Duanni 90 ml Fully handmade Workshop potter (unnamed)
237 Ziye Red Jiangponi 90 ml Hand-carved Workshop potter (unnamed)
413 Ziye Aged Duanni 150 ml Hand-carved Ning Gang
434 Ziye Tianqingni 150 ml Hand-carved Workshop potter (unnamed)
372 Tall Golden Duanni 120 ml Hand-carved Workshop potter (unnamed)
450 Tall Dicaoqing Zini 140 ml Hand-carved Workshop potter (unnamed)
396 Tall Aged Zini 120 ml Fully handmade Workshop potter (unnamed)
181 Tall Golden Duanni 200 ml Wood-fired Wu Jianqiang
376 Flat-lid Jiangponi 110 ml Fully handmade Workshop potter (unnamed)
410 Flat-lid Aged Duanni 130 ml Fully handmade Ning Gang
448 Gongchun Shipiao Aged Duanni 150 ml Fully handmade Workshop potter (unnamed)
153 Three-foot Benshan Luni 160 ml Fully handmade Yang Qilong
197 Yongle Shipiao Xiekeqing 180 ml Wood-fired with hand carving Liu Qun

More shape guides: Xishi, Dezhong, Shipiao, Hanwa, Fanggu, Shuiping, Rongtian, Longdan, Qinquan, Palace Lantern, Gongchun.

Clay guides: Zhuni, Zini, Duanni, Jiangponi.

For clay names, start with Yixing clay types and colours.